Inspired by the book Stitching The Textured Surface by Lynda Monk and Carol McFee, these pages are made with molding paste over Lutradur, dyed and coloured, then burnt back.
I especially like the quotes I selected this year!
These cards have large brass initials on the front BUT I was liking the smooth stones I brought home from the beaches of Vancouver Island BC last summer that I was using as weights for the gluing down of the initials so much that I forgot to get a photograph of the final products!
Nice rocks though, eh?
Don't they make you want to skip some stones!
Donna Clement is a Canadian textile artist who shows and sells on her web site and at various exhibits throughout the year. She travels throughout the world and loves to share her photos of inspiration seen abroad, with special focus on UNESCO World Heritage Sites. She is an exhibiting member of ARTICULATION Textile Group and CONTEXTURAL Fibre Arts Cooperative.
December 31, 2011
December 29, 2011
Christmas Cards through the years... 2009
2009 was the biggest, most time consuming 'card' I have ever done!
A structure inspired by Leilani Pierson in a Cloth, Paper, Scissors magazine, I worked my way around the colour wheel producing 10 books with six double-sided pages in various papers and fabrics. These were collaged (paper term) or appliqued (fibre term) with beads, buttons, keys, phrases torn out of magazines, tin shapes, yarns, fabric scraps, shells, miniature cloths pegs, washers and charms.
This was made to commemorate my Book Making group which has been meeting every month for the past 12 years.
Here is the layout of one book showing each collaged page and its reverse. Repeat this for 9 other colourways!
Laying flat, you can see the bulk of the pages.
And lined up to see the colours.
I was really happy with how these turned out, and everyone was thrilled to receive one in the group!
A structure inspired by Leilani Pierson in a Cloth, Paper, Scissors magazine, I worked my way around the colour wheel producing 10 books with six double-sided pages in various papers and fabrics. These were collaged (paper term) or appliqued (fibre term) with beads, buttons, keys, phrases torn out of magazines, tin shapes, yarns, fabric scraps, shells, miniature cloths pegs, washers and charms.
This was made to commemorate my Book Making group which has been meeting every month for the past 12 years.
Here is the layout of one book showing each collaged page and its reverse. Repeat this for 9 other colourways!
Laying flat, you can see the bulk of the pages.
And lined up to see the colours.
I was really happy with how these turned out, and everyone was thrilled to receive one in the group!
December 27, 2011
Christmas Cards through the years... 2008
Belonging as I do, to the local calligraphy guild (in Calgary it is the Bow Valley Calligraphy Guild - one of the largest in North America), it is de rigueur to hand make a Christmas card. And since joining in 1994 I have done so every year.
They started as actual calligraphic card - with the lettering and wording more important - usually colour photocopied to make multiple copies, or perhaps gocco-ed. Over the years, as I moved into Book Arts, they became more about the structure as each one was handmade and more time consuming - hence the production numbers went way down. (Originally I would make 75 cards, I am now down to 12 at the most.)
Here are images of them for the past four years...
(one at a time)
Assemblage of materials:
(Picking colour coordinated papers = hand painted + various Japanese tissues + Thai stitched ones. Along with linen threads, beads and sequins, grommets, copper tags, date stamp.)
The final card:
(Design idea inspired by a Kathy Guthrie card she once gave me for my birthday. Hanging on a vertical string, layers of papers with name tag at the bottom.)
Packaging into an 'envelope':
(Plastic CD sleeve with the slit in front for the copper tag with recipients name stamped on.)
You can click on images for more details...
More to come.
They started as actual calligraphic card - with the lettering and wording more important - usually colour photocopied to make multiple copies, or perhaps gocco-ed. Over the years, as I moved into Book Arts, they became more about the structure as each one was handmade and more time consuming - hence the production numbers went way down. (Originally I would make 75 cards, I am now down to 12 at the most.)
Here are images of them for the past four years...
(one at a time)
Assemblage of materials:
(Picking colour coordinated papers = hand painted + various Japanese tissues + Thai stitched ones. Along with linen threads, beads and sequins, grommets, copper tags, date stamp.)
The final card:
(Design idea inspired by a Kathy Guthrie card she once gave me for my birthday. Hanging on a vertical string, layers of papers with name tag at the bottom.)
Packaging into an 'envelope':
(Plastic CD sleeve with the slit in front for the copper tag with recipients name stamped on.)
You can click on images for more details...
More to come.
December 23, 2011
Women of Fibre, at the Whyte - part 3
These are the pieces I have in the gallery:
GUIDE ME THROUGH THE DARK UNKNOWN 5
16" x 24"
Cotton - silk screening, discharge dying, hand embroidery, free machine embroidery.
Artist Statement: The charred remains of pine trees that are visible throughout the Rocky Mountains are signs of man's attempt to control the spread of the destruction caused by the Mountain Pine Beetle. Cross-sections of the growth rings of these burnt remains echo the shapes of the original scribbling of maps that the early explorers used to navigate the Rockies. With no roads, natives travelled along animal trails, and when the white man arrived, their native guides jotted jagged lines onto paper to direct them.
Description of archives: Early map drawn by natives to guide Mary Schaffer to Morraine Lake.
[The four other pieces in this series can be found in the gallery shop.]
MARY'S MOCCASIN
11" x 9" x 2"
Mixed animal hides, paper, waxed linen - bookbinding, hand painted papers.
Artist statement: As a response piece to a photo of Mary Schaffer, my eye was drawn to the lettering in the top right corner of the tent. Writing on the tent leads me to writing of a diary, and further research showed that Mary kept diligent accounts of her days on the trail. As a calligrapher and book artist, I am always drawn to the written word and an obvious extension of this was to recreate Mary's diary - with weathered and worn pages, marked with coffee stains and leaf impressions. Bound in a leather cover (echoing her well-worn buckskin jacket) and contained in a leather moccasin (the shoe being one of society's constraints that she was glad to throw off), this package portrays an upper-class Philadelphian grand dame in the Canadian wilds at the turn of the 19th century.
Description of archives: Mary Schaffer's buckskin jacket.
[located on the floor, under the table]
PRESERVED IMPRESSIONS 4
16" x 20"
Cotton - rust dyeing and silk screening.
Artist statement: The fossils contained in the Burgess Shale, which show the incredible array of life in the early Cambrian period, have amazed the world with their detail and diversity since their discovery in 1909. Concealed in compacted mud, muscles, gills and other soft body parts are revealed along with bones, teeth and shell, exposing the mysteries of the beginning of the Cambrian era. This piece attempts to convey the richness of the layers of live found there.
Description of archives: CD Walcott diaries and field notebook (1909 - 1923)
[The three other pieces in this series can be found in the gallery shop.]
Actual fossils from the Burgess Shale site upon Mount Stephen above Field, BC.
This exhibition is up until January 29, 2012. I encourage you to get to the mountains and take in some art!
GUIDE ME THROUGH THE DARK UNKNOWN 5
16" x 24"
Cotton - silk screening, discharge dying, hand embroidery, free machine embroidery.
Artist Statement: The charred remains of pine trees that are visible throughout the Rocky Mountains are signs of man's attempt to control the spread of the destruction caused by the Mountain Pine Beetle. Cross-sections of the growth rings of these burnt remains echo the shapes of the original scribbling of maps that the early explorers used to navigate the Rockies. With no roads, natives travelled along animal trails, and when the white man arrived, their native guides jotted jagged lines onto paper to direct them.
Description of archives: Early map drawn by natives to guide Mary Schaffer to Morraine Lake.
[The four other pieces in this series can be found in the gallery shop.]
MARY'S MOCCASIN
11" x 9" x 2"
Mixed animal hides, paper, waxed linen - bookbinding, hand painted papers.
Artist statement: As a response piece to a photo of Mary Schaffer, my eye was drawn to the lettering in the top right corner of the tent. Writing on the tent leads me to writing of a diary, and further research showed that Mary kept diligent accounts of her days on the trail. As a calligrapher and book artist, I am always drawn to the written word and an obvious extension of this was to recreate Mary's diary - with weathered and worn pages, marked with coffee stains and leaf impressions. Bound in a leather cover (echoing her well-worn buckskin jacket) and contained in a leather moccasin (the shoe being one of society's constraints that she was glad to throw off), this package portrays an upper-class Philadelphian grand dame in the Canadian wilds at the turn of the 19th century.
Description of archives: Mary Schaffer's buckskin jacket.
[located on the floor, under the table]
PRESERVED IMPRESSIONS 4
16" x 20"
Cotton - rust dyeing and silk screening.
Artist statement: The fossils contained in the Burgess Shale, which show the incredible array of life in the early Cambrian period, have amazed the world with their detail and diversity since their discovery in 1909. Concealed in compacted mud, muscles, gills and other soft body parts are revealed along with bones, teeth and shell, exposing the mysteries of the beginning of the Cambrian era. This piece attempts to convey the richness of the layers of live found there.
Description of archives: CD Walcott diaries and field notebook (1909 - 1923)
[The three other pieces in this series can be found in the gallery shop.]
Actual fossils from the Burgess Shale site upon Mount Stephen above Field, BC.
This exhibition is up until January 29, 2012. I encourage you to get to the mountains and take in some art!
December 22, 2011
Women of Fibre, at the Whyte - part 2
Photos of the six Articulation artists, along with their artist statements...
And here we all are, dressed in our artist black with identifying scarves, for the reception that evening.
Left to right: Vickie Newington, Ingrid Lincoln, Wendy Klotz, Gloria S. Daly, Donna Clement, Lesley Turner.
And here we all are, dressed in our artist black with identifying scarves, for the reception that evening.
Left to right: Vickie Newington, Ingrid Lincoln, Wendy Klotz, Gloria S. Daly, Donna Clement, Lesley Turner.
December 21, 2011
Women of Fibre, at the Whyte
As you walk into the gallery, this is what you see...
The museum director, Michale Lang and the curator, Mary Beth Laviolette did a wonderful job pairing and arranging artifacts and archives from the Whyte Collection to go along with Articulation's art works.
Catherine Whyte's engagement dress, shoes and portrait inspired Ingrid Lincoln.
Right - Burgess Shale fossils inspired Donna Clement; central - Mary Vaux's photographs inspired Wendy Klotz into making felted hats; left - Mary Shaffer's jacket inspired a response piece from everyone.
And Lesley Turner has an installation based upon women's work being unaccounted for and largely unnoticed in society.
The museum director, Michale Lang and the curator, Mary Beth Laviolette did a wonderful job pairing and arranging artifacts and archives from the Whyte Collection to go along with Articulation's art works.
Catherine Whyte's engagement dress, shoes and portrait inspired Ingrid Lincoln.
Right - Burgess Shale fossils inspired Donna Clement; central - Mary Vaux's photographs inspired Wendy Klotz into making felted hats; left - Mary Shaffer's jacket inspired a response piece from everyone.
And Lesley Turner has an installation based upon women's work being unaccounted for and largely unnoticed in society.
December 20, 2011
Show at the Whyte Museum of the Rockies
November 26 was the opening of our latest exhibition in Banff, Alberta at the Whyte Museum. Called WOMEN OF FIBRE, we shared the main gallery with 94 year old Mary Garnham Andrews, a local weaver who has just donated her life's work to the Whyte.
The signage outside:
and walking into the gallery:
Gloria S. Daly's piece titled Glacier.
and Vickie Newington's felt and glass pieces.
The signage outside:
and walking into the gallery:
Gloria S. Daly's piece titled Glacier.
and Vickie Newington's felt and glass pieces.
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